“The tangential position of the cities, strange dystopias, some of it is dark fantasy, some of it is disturbing.” – Martand Khosla

Coming from a metropolis, one would, as a viewer, effortlessly succumb to the social reality that defines the contours of cities in Martand Khosla’s meticulous artwork 1:2500 (one is to twenty five hundred). The representation of chaos and the transformative character of cities in his work explicitly factors in the populations, site constructions, developments, geographies and migration that shape the urbanscape.

The artist subverts the idea of cities as static zones, and visualises city planning in a rich-diversified manner that complements its variability. Totally non-palliative in nature, his imagination of the urban world wears a soul sombre yet spontaneous enough to adapt to the realities of the given time.

The city’s various facets like labour, financial forces, land and the law can be seen underpinning the concept of social infrastructure in Khosla’s drawings and carved wood installations. The intricately carved sculptures perceived as motifs will make us wonder if cities can ever quite be “settled”. What does settlement mean for an individual who plays a key role in shaping it, and what does a city look like when all are finally “settled” in it?

Martand Khosla’s exhibition 1:2500 is on display till September 21 at the Nature Morte Art Gallery, Green Park, Delhi.

Doors playing a paramount role in showing transition

Their flexibility anchors the seductions of craftsmanship

Doors as archetype, depicting acceptance, movement, inclusion, exclusion

A cobbled up miniature of city structure

A view of the exhibition showing carved wood sculptures and drawings

The ephemeral character of buildings that lay the foundation for urbanisation

Subjects in pictures depicting webbed and cobbled up spaces

They create a nexus for civil society

Inspired by drawings, a replica of the dark underbelly of urban India

Closeup of one such gloomy cell

Light effect on wood materials experimented in the making

Door and buildings together

Unorganised structures with unsettled, floating foundations

An amplified view of chaos